ludovico einaudi primavera midi for synthesia

He’s not breaking new ground, and I probably wouldn’t put him in a hypothetical composer’s hall of fame, but at the same time I find no fault with what he writes. In either case, as I said before I find his music very effective. It’s just as possible that he writes them because that’s just what he wants to write. I don’t know or even care if he writes simple pieces because it’s just easy to make a buck that way. It’s not super difficult but it’s above his normal learning level yet he’s slowly mastering it because he WANTS to learn it.Īs a musician in general: I strongly disagree with anyone who says that simple music has less merit. But for whatever reason, he stumbled across Ludovico and it made an impression on him and now he’s learning Nefeli. He’s your typical teen boy who has a lot of things he’s more interested in than piano. Right now in particular I have a student who isn’t the most motivated. I want them to be able to learn pieces that resonate with them to keep them motivated. Primavera especially is top of my list for this.Īs a teacher: I need music of a wide variety of styles and difficulty for my students to learn. YMMV but for me they’re very evocative and have often helped me process emotional events in my life. I guess based on this it seems like I prefer music that doesn’t use the most overused ideas”Īs a listener: I really enjoy his music. this is complex, therefore I will like this”, the thought process goes ”hmm this sounds interesting, oh looking into the details this song has a bunch of interesting stuff going on. The though process isn’t ”complex music is great. But seeing a photorealistic painting of a flower for the 90000th time is quite a bit less amazing. The first time I saw a ”photorealistic” painting of a flower I’m sure I thought it was amazing.

I just want something a little more new/fresh/different. It’s just that when I hear yet another song with the same rhythmic pattern, harmonic progression and structure as a million other songs, it just doesn’t interest me. To me it’s not an ”inherent need for complexity” or something like that. I think you might be missing the point of (at least some) of those opinions. If you're judging the merit of a piece based off how many complex constructions it has, you're probably missing the point of music in the first place.

Ludovico einaudi primavera midi for synthesia